By Peter Heymans
The medical, political, and commercial revolutions of the Romantic interval reworked the prestige of people and redefined the idea that of species. This booklet examines literary representations of human and non-human animality in British Romanticism. The book’s novel strategy makes a speciality of the function of aesthetic style within the Romantic knowing of the animal. targeting the discourses of the chic, the gorgeous, and the grotesque, Heymans argues that the Romantics’ aesthetic perspectives of animality influenced—and have been motivated by—their ethical, clinical, political, and theological judgment. The examine finds how emotions of environmental alienation and disgust performed a good ethical position in animal rights poetry, why ugliness provided this kind of serious problem for Romantic-period scientists and theologians, and the way, in political writings, the violent but awe-inspiring energy of unique species got here to represent the sweetness and terror of the French Revolution.
Linking the works of Wordsworth, Blake, Coleridge, Byron, the Shelleys, Erasmus Darwin, and William Paley to the theories of Immanuel Kant and Edmund Burke, this e-book brings an unique viewpoint to the fields of ecocriticism, animal experiences, and literature and technological know-how studies.
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